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This isn’t Disney World and Mickey Mouse. In India, there is a temple filled with rats on purpose! It’s called Karni Mata Temple or the Rat Temple in Deshnoke, near Bikaner in Rajasthan. At this temple, the rats are considered sacred and are protected. If you kill one by accident, you must replace it with a rat made out of solid gold.

It is said that it is good luck to see a white rat at Karni Mata. It is also good luck when a rat runs over your foot. This is easy to accomplish; there are some heavy rat-traffic areas along walls between rooms, and if a foot is placed in the path, it will get some rat prints on it.

Panchari Melam is a percussion ensemble, canonically lasting more than four hours, performed during temple festivals in Kerala, India. Panchari Melam (or, simply, panchari), is one of the major forms of chenda melam (ethnic drum ensemble), and is the best-known and most popular kshetram vadyam (temple percussion) genre. Panchari melam, comprising instruments like chenda, ilathalam, kombu and kuzhal, is performed during virtually every temple festival in central Kerala, where it is arguably presented in the most classical manner. Panchari, however, is also traditionally performed, with a touch of subtle regional difference, in north (Malabar) and south-central Kerala (Kochi). Of late, its charm has led to its performance even in deep-south Kerala temples. Panchari is a six-beat thaalam (taal) with equivalents like Roopakam in south Indian Carnatic music and Ek taal in the northern Hindustani classical. Another chenda melam which comes close to panchari in prominence and grammatical soundness, is Pandi Melam, performed outside temple precincts in general. Other chenda melams, though less popular, are chempata, adanta, anchatanta, dhruvam, chempha, dhruvam, navam, kalpam and ekadasam. Though there are expressional differences between the panchari and the above-mentioned melams